CINE-LIT 2000 
 
 
 

 PROGRAMA/PROGRAM
 
 

Organizers of the Hispanic Cine-Lit Project

G George Cabello-Castellet, Portland State University G

G Jaume Martí-Olivella, SUNY at Albany G

G Guy H. Wood, Oregon State University G

G Fernando Valerio-Holguín, Colorado State University G

G Cileine de Lourenço, Bryant College G

G Marie Barbieri, Bowdin College G

G Barbara Reiss, Allegheny College G
 

Acknowledgements

The Organizers of Cine-Lit 2000 wish to thank their respective institu-

tions and departments for the grants and technical assistance that

made this conference possible. Special thanks are in order for

Pamela Goodrich of the Department of Foreign Languages and

Literatures at Oregon State University.
 

Grateful acknowledgement must also be extended to Mr. Bill Foster and

his staff at the Northwest Film and Video Center in Portland; Mr.

Manuel Llamas Antón at the Institute of Cinematography and

Audiovisual Arts in the Spanish Ministry of Culture; the Program for

Cultural Cooperation between Spain’s Ministry of Culture and

Education and the United States’ Universities; Patricia Soria, Mexican

Consulate General in Portland; María Alanis Ruiz, Chicano/Latino

Studies, PSU; American Airlines; and Martha Gies.
 
 
 
 

Cine-Lit 2000

is

organized by

F Professor George Cabello-Castellet, Portland State University

F Professor Jaume Martí-Olivella, SUNY at Albany

F Professor Guy H. Wood, Oregon State University

F Mr. Bill Foster, Northwest Film and Video Center

F Professor Mónica Flori, Lewis and Clark College

F Professor Susan U. Cabello, Pacific University

F Professor Elizabeth Drumm, Reed College

F Professor Tatjana Pavlovic, Willamette University

...and funded by

F School of Liberal Arts and Sciences, Portland State University

F Department of Foreign Languages and Literatures, PSU

Professor Louis J. Elteto, Chair

F Department of Foreign Languages and Literatures, Oregon State

University, Joseph Krause, Chair

F Northwest Film Center/Portland International Film Festival

F The Program for Cultural Cooperation between Spain’s Ministry of

Culture and United States’ Universities

F Chicano/Latino Studies, Portland State University

F Lewis and Clark College

F Pacific University

F Reed College

F Willamette University

F Film Committee, Portland State University

F School of Fine and Performing Arts, Portland State University

VIERNES, 18 DE FEBRERO/FRIDAY, FEBRUARY 18

7’30-9’30 Desayuno (Smith Center, Second Floor)

G Cileine I. de Lourenço Bryant College

"Mapping Identities: A Reading of Estação central"

G Lori Lammert Vanderbilt University

"Four Days in September, the Film, the Book, and what Really Happened"

G Shawn Smallman Portland State University

"Alma do Brasil: The Irony of Nationalism in an Early Brazilian Film"
 
 

G Evlyn Gould University of Oregon

"Reiterating Carmen on the International Stage: The Film Adaptations of Carlos Saura and Jean-Luc Godard"

G Mónica Lettieri University of Northern Colorado

"Mujeres de armas tomar: Pepita la pistolera por Beatriz Flores Silva"

G Marcin Czuryszkiewicz University of British Columbia

"Las fronteras permeables: del cine a la literatura y de la literatura al cine. El beso de la mujer araña de Manuel Puig y Kiss of the Spider Woman de Hector Babenco"
 
 

G Francisco J. Mora Universidad de Alicante

"Hacia una redefinición del melodrama mejicano: La mujer del puerto y

La reina de la noche de Arturo Ripstein"

G Mary Beth Duffey Mount Mary College

"Folk Tale Motifs in Laura Esquivel’s Like Water for Chocolate"

G Adolfo Cisneros Bradley University

"De Chiapas a Chuschi: Alusión, articulación y cuestionamiento sobre la violencia a través de Cerca del cielo y La boca del lobo"
 
 

G John L. Marambio University of San Diego

"Tres paradigmas para un curso sobre cinematografía latinoamericana"

G Linda Burdell Macalester College

"Constructing Identities: Teaching Students to Analyze Hispanic Ethnicity in American Films"

G María-Paz Haro Stanford University

"Temas de Hoy en Clase de Cine Español: Guía Para Novicios"
 
 

G Mónica Szurmuk University of Oregon

"Metaphors of Self/Metaphors of Otherness: On Sally Potter’s The Tango Lesson"

G Robin Fiddian Wadham College, Oxford University

"Refiguring Carmen in Carmen la de Ronda"
 
 

G Verónica Anover California State University, San Marcos

"La mirada fílmica en la obra de Almudena Grandes"

G Diana Barnes SUNY at Albany

"Rosa Montero’s Early Narrative: A Cinematic Perspective"
 
 

G Victoria Ruetalo Tulane Univerisity

"Staying Afloat with The Lifejacket Is Under Your Seat: Uruguayan Cinema at the Turn of the Millennium"

G Verónica Cortínez University of California, Los Angeles

"Arte y realidad: representación de la política chilena en las películas de Sergio Castilla"

G Cristina M. Guzzo Albertson College of Idaho

"Mundo grúa (1999): Película argentina de Pablo Trapero"
 

VIERNES, 18 DE FEBRERO/FRIDAY, FEBRUARY 18

G Judith García Quismondo Ohio State University

"Semiótica teatral en El perro del hortelano de Pilar Miró"

G Irene Zoe Alameda Columbia University

"Pilar Miró and her Adaptations of the Novels Beltenebros and Tu nombre envenena mis sueños"
 

G Catherine Wood Lange SUNY at Stony Brook

"Image and Identity in Carmen Miranda’s Star Text"

G María Donapetry Pomona College

"Fulgor y reinscripción de Joaquín Murrieta"

G Joy Ramírez University of Colorado, Boulder

"Representing the ‘Other Spain’: The Problem of the Gypsies in the

Formation of Spanish National Identity"
 

G David Miralles University of Oregon

"Transvestism and the Questioning of Traditional Identities in

El lugar sin límites"

G Amado Lascar University of Oregon

"Repression and Fantasy in Sueños de mala muerte by José Donoso"

G Juan Armando Epple University of Oregon

"Las transgresiones de El lugar sin límites de José Donoso"
 

G Margarita Pillado-Miller Grinell College

"Segismundo en el ciberespacio, o La vida es sueño como realidad virtual en

Abre los ojos de Alejandro Amenábar"

G Sandra Robertson University of San Diego

"Life Is a Virtual Dream: Amenábar Reading Calderón"

G Christina Buckley Furman University

"Consumer Is no Longer a Dirty Word for Spanish Cinema"
 

VIERNES, 18 DE FEBRERO/FRIDAY, FEBRUARY 18

G Hiber Conteris University of Arizona

"The Latin American Narrative of the 80s: Cinema and Ideological Manipulation"

G Christina Crociata Harwick College

"New Dialectical Interpretation of the New Latin American Cinema"

G Lancelot Cowie The University of the West Indies

"Las quimeras miran hacia el norte: Ficción y cine contemporáneos"
 

G Yeon-Soo Kim Rutgers University

"Making of the Family Album in Costa Brava by Marta Balletbó-Coll"

G Galina Bakhtiarova University of Southern California

"Havanera 1820 de Antoni Verdaguer: Cataluña, Cuba y el deseo colonial"

G Phyllis Zatlin Rutgers University

"From Stage to Screen: Amigo/Amado"
 

G Marsha Kinder University of Southern California

"Uncanny Visions of History in Two Post-national Documentaries from Spain: Asaltar los cielos and Tren de sombras"

G Marvin D’Lugo, Clark University

"‘Made in Spanish’ Transnational Film Production and the National Imagination"
 

G Nuria Cruz-Cámara University of Tennessee at Knoxville

"Belle Epoque: Entre la liberación del deseo femenino y el mito de La Cenicienta"

G Lucía I. Llorente Berry University

"Los personajes femeninos de Secretos de corazón"
 

VIERNES, 18 DE FEBRERO/FRIDAY, FEBRUARY 18

G Jerry Carlson City University Television / CUNY-TV

"An Antillean Transformation: Cumbite, Tomás Guitierrez Alea’s Adaptation of Jacques Roumain’s Masters of the Dew"

G Paul Alexander Schroeder Stanford University

"Melodrama and the Crisis of the Cuban Revolution: The Case of Tomás Gutiérrez Alea"

G Cynthia Duncan University of Tennessee

"The Feminine as Visible Difference in Fresa y chocolate, or Casting ‘El hombre nuevo’ in a Less Queer Light"
 

G Roberto Forns-Broggi Metropolitan State College of Denver

"La conciencia ecológica en el cine hispanoamericano contemporáneo"

G Olga Arbeláez Saint Louis University

"Entre el cine y la literatura: ‘La santa’ y ‘Milagro en Roma’ de Gabriel García Márquez"

G Enrique Yepes Bowdin College

"La tigra y el proyecto nacional ecuatoriano de 1930 a 1990"
 

G Elizabeth Scarlett SUNY at Buffalo

"Television and Intertextuality in Javier Marías’s Mañana en la batalla piensa en mí"

G Rona Lee Maughan University of Utah

"Voyeurismo y pena en Si te dicen que caí"

G María D. Blanco-Arnejo Willamette University

"Carreteras secundarias: un corto camino desde Ignacio Martínez de Pisón hasta Emilio Martínez Lázaro"
 

ALMUERZO / LUNCH

12’00-13’00

Cafetería en el primer piso
 

VIERNES, 18 DE FEBRERO/FRIDAY, FEBRUARY 18

G Steven Marsh Birbeck College University of London

G Susan Martin-Márquez Rutgers University
 

G Marcelino Marcos Lakeland College

"Ambigüedades ideológicas en Surcos de José Antonio Nieves Conde"

G Patrick Gallagher Widener University

"The Spanish Civil War: Fratricide or International Treachery"

G Susana Rubio University of Richmond

"Metaphors of Violence in Recent Spanish Films"
 

G Priscilla Hunter Southern Oregon University

"Permutations of the Film Noir Voice Over in El beso de la mujer araña, the Novel"

G Pércio B. de Castro University of Dayton

"Gritemos a plenos pulmones y contémoselo a todos—revelando secretos en No se lo digas a nadie de Jayme Bayly y Francisco Lombardi"

G Fabio Correa Phoenix Country Day School

"El callejón de los milagros y un espacio urbano para la sexualidad"
 

G Kathleen Regan University of Portland

"Utopian Fantasy: Re-presenting Pre-Civil War Spain in Belle Epoque"

G Dona Kercher Assumption College

"A ‘Welcome’ Facade: Racism and Economic Necessity: from Berlanga’s Bienvenido, Mr. Marshall to Bollaín’s Flores de otro mundo"

G Inés Arribas Richard Stockton College of New Jersey

"Otherness in Contemporary Spanish Cinema"
 

VIERNES, 18 DE FEBRERO/FRIDAY, FEBRUARY 18

G Concha Alborg St. Joseph’s University

"Secreto del corazón de Montxo Armendáriz: Una (Re)visión del pasado español"

G Thomas Deveny Western Maryland College

"Child’s Play: Juvenile Meta-Acting in Spanish Cinema"
 

G Marsha Kinder, University of Southern California

G Kathleen Vernon, SUNY at Stony Brook

G Santos Zunzunegui, Universidad del País Vasco

G Joseba Gabilondo, University of Florida

G Marvin D’Lugo, Clark University

G Thomas Deveny, Western Maryland College

G Dennis West, University of Idaho
 

VIERNES, 18 DE FEBRERO/FRIDAY, FEBRUARY 18

Yerma

de

Pilar Távora
 
 
 

SABADO, 19 DE FEBRERO / SATURDAY, FEBRUARY 19

Desayuno 7’30-9’30 Smith Center Second Floor
 

G Martha J. Nandorfy Concordia University

"The Mother of Anarchy in Esther Tusquet’s El mismo mar de todos los veranos and Pedro Almodóvar’s Tacones lejanos"

G Diane Hartunian Loyola Marymount University

"The Trouble with Mothers and Daughters in Federico García Lorca and Pedro Almodóvar"

G Marie E. Barbieri Bowdin College

"The Deconstruction of Cinematic Conventions and Gender Roles in Pedro Almodóvar’s Matador"
 

G Malcolm Compitello University of Arizona

"Madrid, Capital: Madrid as Cinematic City"

G Michael Ugarte University of Missouri-Columbia

"La historia y el espacio postmodernos: El Madrid trémulo de Pedro Almodóvar"

G Elizabeth Gunn University of Miami

"The Verge of Almodóvar’s Spain: A Space in Subversive Humor"
 

G Alfonso Lara University of Washington

"La homosexualidad oculta y manifiesta en Historias del Kronen"

G David R. George University of Minnesota

"Promiscuous Pueblos: The Politics of Space, Place and Chase in Bajo Ulloa’s Air Bag"

G Carolyn Morrow University of Utah

"Spain’s Generation X and Other Subversive Figures: Historias del Kronen and El día de la bestia"
 

G Joanna L. Mitchell University of Rochester

"Woman, Nation, Sex: The Submerged Text in Almodóvar’s Atame y Carne trémula"

G Melvy Portocarrero Bradley University

"Sexo, pudor y lágrimas: Un examen posmodernista de la relación de pareja a fines de siglo XX"

G Patricia D. Fox Indiana University Bloomington

"It’s Gloves Off When the Hair Comes Down: Latin American Films and the Short-hand of Emancipation"
 

G Luis Guadaño University of Minnesota

"Pero ¿Qué historias me cuentas, Saura? En el jardín de las delicias, donde la prima Angélica cría cuervos"

G Kathryn G. McConnell Point Loma Nazarene University

"Bodas de sangre: From Lorca’s Poetical Language to Saura’s Language of Poetry"

G Guy H. Wood Oregon State University

"Stasis y plaga en La caza de Carlos Saura"
 

G Linda M. Willem Butler University

"Rewriting Rendel: Pedro Almodóvar’s Carne trémula"

G Javier Escudero Penn State University

"Casticismo y regeneración en La flor de mi secreto de Pedro Almodóvar"

G Christina Mougoyanni University of Minnesota

"Pedro Almodóvar’s Cinema: Postmodernism and Esperpentic Reality?"
 

SABADO, 19 DE FEBRERO / SATURDAY, FEBRUARY 19

G José Manuel Polo de Bernabé North Carolina University

"Reinscripciones narrativas a través de la mirada y de la voz: De Carlos Saura a Pedro Almodóvar"

G Eugenia Afinoguenova Emory University

"Fake: Written, Painted and Filmed (Orson Welles, Juan Marsé and Juan Manuel de Prada)"

G Jordi Marí North Carolina State University

"Narraciones mudas, lectores analfabetos y espectadores ciegos: reflexiones sobre la voz y la mirada fílmico-literaria"
 

G Susan Martin-Márquez Rutgers University

"Mapping Out Racial Difference in La llamada de Africa"

G Kathleen Vernon SUNY at Stony Brook

"Memories of Underdevelopment: Cecilia Bartolomé’s Lejos de Africa"

G Dionisio Viscarri Ohio State University

"Harca: Ideología e imagen del conflicto marroquí"
 

G Salvador Velasco Claremont McKenna College

"Alegoría política y cultura popular en Guantanamera"

G Paul B. Miller North Carolina State University

"Cuban Discontent: Framing the ‘período especial’"

G María H. Rueda Stanford University

"The Two Franciscos: A Nineteenth Century Cuban Novel Undergoes Film Adaptation (and a Revolution)"
 

SABADO, 19 DE FEBRERO / SATURDAY, FEBRUARY 19

G Samuel Amell Ohio State University

"La novela del exilio y el cine"

G Santos Zunzunegui Díez Universidad del País Vasco

"La línea general o las vetas creativas del cine español"

G Joseba Gabilondo University of Florida

"The Atlantic Hispanic System of National Cinemas: A Reconsideration of  Melodrama and the Genre/Star System"
 

G César Valverde University of Redlands

"Altered Greats: The Transformation of the Conquistador in Cabeza de Vaca"

G Anahi Walton-Schafer SUNY at Stony Brook

"Antropofagia, subversión y globalización en Como era gostoso meu francés (Nelson Pereira dos Santos, 1972)"

G Gregory Shepard St. Joseph’s University

"Cabeza de Vaca by Guillermo Sheridan and Nicolás Echevarría"
 

G Rosabel Argote University of California, EAP Madrid "New Odyssey in the Space of Spanish Cinema: From Postmodernism to 2001"

G Isolina Ballesteros Barnard College

"Juventudes problemáticas en el cine: Comportamientos generacionales y globales en la era de la indiferencia"

G Ignacio Prado Manhattanville College

"Diferente o un paseo por la acera de enfrente del cine franquista"
 

G José F. Colmeiro Michigan State University

"Los montajes de la memoria"

G Valentín Ferdinán Middlebury College

"Manuel Antín: Two Films on Time and Memory: La cifra impar and Castigo al traidor"
 

SABADO, 19 DE FEBRERO / SATURDAY, FEBRUARY 19

G Keith Richards University of Richmond

"Adapt and Be Damned: Leopoldo Torre Nilsson’s Martín Fierro"

G Elena Olazagasti-Segovia Vanderbilt University

"María Luisa Bemberg vs. Julio Llinás: La adaptación fílmica de De eso no se habla (1993)"

G Lori Hopkins University of New Hampshire

"‘La vida según Muriel’ and the Marking of Feminine Space"
 

G Susan Larson Fordham University

"Cinematógrafo Nacional: The género chico Responds to the Seventh Art"

G Geoff Pingree Catholic University of America

"Republican Cinema’s Failed Rhetoric of Reform"

G Eva M. Woods SUNY Stony Brook

"The Roots of the Folklórica System"
 

Mesa Redonda / Round Table Discussion: Directores Hispanos

14’00-15’30 Smith Center Room 296/98

Moderator: Jorge Ruffinelli

G Iciar Bollaín (Spain)

G Fernando Pérez (Cuba)

G Miguel Santesmases (Spain)

G Eliseo Subiela (Argentina)

G Pilar Távora (Spain)
 

SABADO, 19 DE FEBRERO / SATURDAY, FEBRUARY 19

ALMUERZO y RECEPCION / LUNCH and RECEPTION

Presentación de "The Hispanic Cine-Lit Project"

Browsing Room (Smith Center 238)

12’00-13’30

DOMINGO, 20 DE FEBRERO / SUNDAY, FEBRUARY 20

Desayuno 7’30-9’30

G Mónica Cantero Berry College

"Alex de la Iglesia y la realidad española de los noventa: un viaje al infierno"

G Maria Van Liew West Chester University

"Intra-National Cinemas: Particularly Solas by Benito Zambrano"

G Tatjana Pavlovic Willamette University

"Tesis y Kika: Visión, tecnología y la construcción del género"
 

G Blanca Rivera Berry College

"Cuando la mujer deja de ser mujer: ‘Juan Gallo’ y el discurso nacionalista mexicano de los años sesenta"

G María Luisa Guardiola Swarthmore College

"Mujeres y abuelos: El abuelo, novela de 1897 y la película de 1998"

G William Childers South Western University

"La pierna quebrada: The Fetishization of the Female Body in Tristana, Memorias del subdesarrollo, and Camila"
 

G Oscar F. Robles-Cereceres University of Arizona

"Re-configuraciones de la madre, la familia mexicana y la identidad nacional en Lola de María Novaro"

G Nancy Membrez University of Texas at San Antonio

"El campesino y la Muerte: Macario da la vuelta al mundo"

G José Pablo Villalobos Lewis and Clark College

"Ibargüengoitia’s Dos crímenes from Novel to Film: High Crimes and Misdemeanors"
 

DOMINGO, 20 DE FEBRERO / SUNDAY, FEBRUARY 20

G Natalia Santamaría-Laorden University of British Columbia

"Una Carmela para Diderot: Sintaxis cinematográfica de la película de Saura"

G Kevin M. Gaugler University of Connecticut

"Coups d’état/coups de theatre: Terror and Tragedy in the Works of Alvaro Cunqueiro, Juan Marsé and Carlos Saura"

G Elizabeth Montes University of Arkansas, Little Rock

"El uso de la parodia en De noche vienes, Esmeralda de Humberto Hermosillo
 

G Elena Cueto-Asín Carleton College

"Género chico y la integración del público en el marco cinematográfico en La corte del faraón"

G Bob Hershberger Depauw University

"Tales of Seduction on the Stage and Screen: The Beginnings of a Cinematic Mode in Benjamín Jarnés’s El profesor inútil"

G Francisco Manzo-Robledo Washington State University

"The Rest of the Story: the Function of Popular Music in the Mexican Film Frida"
 

G Hilde Rissel Virginia State University

"The Cinematographic Adaptation of Tirso’s El convidado de piedra o el burlador de Sevilla"

G Mindy E. Badía University of Arkansas

"Monsters, Marriage and Maternity: Calderón de la Barca’s El mágico prodigioso and The Devil’s Advocate"

G Leticia P. López University of California, Santa Barbara

"Caligari, Mabuse, and Frankenstein: How Expressionism in Alfonso Sastre’s Demasiado tarde para Filoctetes Points to a Contemporary

Technological Dilemma"
 

DOMINGO, 20 DE FEBRERO / SUNDAY, FEBRUARY 20

G Martha González Gonzaga University

"La eficacia de la (re)creación del personaje principal y del rol del lenguaje en la versión fílmica de Pantaleón y las visitadoras"

G Omar Rodríguez University of British Columbia

"Montaje e ideología en Oriana"

G Mauricio Souza Saint Louis University

"Los modernistas van al cine: Gracias y desgracias del ‘cinematógrafo’ a principios del siglo XX"
 

G Fernando Valerio-Holguín, Colorado State University

"Santo Domingo/Nueba Yol/Madrid: Migración e identidad cultural dominicana en Nueba Yol de Angel Muñiz y Flores de otro mundo de

Icíar Bollaín"

G María Camí-Vela, University of North Carolina, Wilmington

"Realizadoras españolas de la década de los 90: ¿Una mirada femenina?"

G Jaume Martí-Olivella, SUNY at Albany

"El sujeto (In)migrante en el cine español: Entre la amnesia y la pedagogia de la solidaridad"
 
 

Contact/Contacte: fvalerio@lamar.colostate.edu

Last Updated/Actualizada: 2/12/2000