COLORADO STATE UNIVERSITY

DEPARTMENT OF FOREIGN LANGUAGES AND LITERATURES

CARIBBEAN CULTURE IN HISPANIC LITERATURE 

 

DR. FERNANDO VALERIO                                                               FALL 2008

CLARK 120                                                                                         SPA 435-001

PH: (970) 491-5022                                                                                 T R 3:30-4:45 PM

E-MAIL: fvalerio@mail.colostate.edu                                                      EDDY 108             

OFFICE HOURS: T R 12:30-2:00PM  AND BY APPOINTMENT          

                 

  VISIT THE VIRTUAL LEARNING CENTER AT: http://lamar.colostate.edu/~fvalerio

 

COURSE DESCRIPTION: A study of Caribbean culture, literature, and film with special emphasis on African heritage, gender issues and cultural identity. Primary texts include readings in social and cultural history, films, autobiographies, historical fiction and poetry. The whole course (including lectures, discussions, and exams) will be conducted in Spanish. 

 

COURSE OBJECTIVES: Students will be able to:

a. Acquire skills in analysis of Caribbean literature.

b. Establish connections among several literary genres and artistic means from the Caribbean.

c. Become aware of the importance of the African Heritage in Caribbean culture.

d. Develop an understanding of Caribbean culture through different artistic manifestations.

e. Become aware of the discrimination of women and minority groups in Caribbean
    societies.

 

TEXTS: 

*Marilyn Bobes et al. L@s nuev@s caníbales Vol.1: Antología de la más reciente cuentística del Caribe Hispano. San Juan, Puerto Rico: Editorial Isla Negra, 2000.

*Pausides et al. L@s nuev@s caníbales Vol.2: Antología de la más reciente poesía del Caribe hispano. San Juan, Puerto Rico: Editorial Isla Negra, 2003
*Antonio Lot Helgueras. El Caribe. Madrid: Anaya, 1988.

*José Arteaga. Música del Caribe. Santa Fe de Bogotá, Colombia: Editorial Voluntad, 1994.

*Veerle Poupeye, Caribbean Art. London: Thames and Hudson, 1988.

A reading Packet in E-Reserve at the Library.

 

FILMS:

Hasta cierto Punto de Tomás Gutiérrez Alea.

Retrato de Teresa de Pastor Vega.

Lucia de Humberto Solás

La vida es silbar de Fernando Pérez (Cuba).

Fresa y Chocolate de Tomás Gutiérrez Alea. (Cuba)

GRADING

Participation                 10%

Assignments                10%

Presentation 1 (Essay)  5%

Presentation 2 (Topic) 15%

Quizzes                                    10%

Mid-term exam                        20%

Final exam                   30%

                                    100%

 

GRADE BEAKDOWN

A+       97-100                         C+        77-79                          

A         94-96               C          74-76  

A-        90-93               D         60-73
B+        87-89               F          0-59                            

B          84-86                          
B-        80-83  

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AUGUST

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Week 1:

T 25: Introducción al curso. Presentación del profesor y de los estudiantes. Explicación

          del programa. El Concepto de cultura. Mapa del Caribe.

R 27: Caribe, “Introducción”.
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SEPTEMBER

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Week 2:

T 1: El Caribe, “El mediterráneo americano”. El Caribe, “Siglos XIX y XX”

R 3: El Caribe, “La región del Caribe”

 

Week 3:

September 9: Courses add ends.

T 8: El Caribe, “El mar de las antillas”

R 10: Video: Hasta cierto Punto de Tomás Gutiérrez Alea.

 

Week 4:

T 15: Video: Hasta cierto Punto de Tomás Gutiérrez Alea. Discusión.

R 17: L@s nuev@s caníbales Vol.1: Cuba: “Presentación”, Francisco López Sacha. Leonardo
         Padura Fuentes. Hugo Luis Sánchez. Miguel Mejides. Adelaida Fernández de Juan.
        
Abel Prieto.

          **1. Edouard Glissand, "Forced Poetics, Natural Poetics"
          1. __________________ 2. ___________________

 

Week 5:

T 22: Anna Lidia Vega Serova. José Félix León. Mylene Fernández. Alberto Guerra Naranjo.
          Ernesto Pérez Chang.Ángel Santiesteban. Ena Lucía Portela. Pedro de Jesús.
Aida Bahr.

          **2. Gerard Pierre Charles, "Introducción". El Caribe Contemporáneo.
         1. ___________________________ 2. ___________________ 3. __________________
 R 24:
República Dominicana: “Presentación”, Pedro Peix. Luis Martín Gómez. Julio Adames.
          Santiago Gutiérrez-Campo. Pedro Camilo. Miguel Ángel Gómez.

 

Week 6:

T 29: Pastor de Moya. Máximo Vega. Ángela Hernández Núñez.  Franklyn Gutiérrez. Rafael  
          Romero. Pedro Antonio Valdez.
René Rodríguez Soriano. Aurora Arias. Puerto Rico:
         
Luis López Nieves.José Liboy.
Eduardo Lalo. Georgiana Pietri. Daniel Nina. Max Resto.
          Daniel Torres. Mayra Santos-Febres.
Juan López Bauzá. Giannina Braschi.

 

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OCTOBER

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R 1: Luis Castillo. Angela López Borrero. Pepo Costa. Pedro Cabiya. Marta Aponte
        Alsina
. Ana Lydia Vega.

Week 8:

T 6: L@s nuev@s caníbales Vol.2. Cuba: Soleida Ríos. Reina María Rodríguez. Efraín
        Rodríguez Santana. Marylin Bobes. Jorge Luis Arcos. Rito Ramón Aroche. Teresa Melo.
        Sigfredo Ariel. Reinaldo García Blanco. Carlos Augusto Alfonso..

      ** 3. José Martí, "Nuestra América"
       1. _________________________ 2. ______________________

R 8: Antonio José Ponte. Omar Pérez. Pedro Marqués de Armas. Damaris Calderón. Gerardo
        Fernández Fé.     

 

Week 9:

T 13: Examen I.

R 15:  Caribbean Art, "Introduction", "Prehispanic and Colonial Art".

          **4. Luis Rafael Sánchez, "La guagua aérea".
          
1. _______________________ 2. ____________________

 

Week 10:

October 19: Course withdrawal period ends.

T 20:   Caribbean Art,
          "Modernism and Cultural Nationalism"; "Popular Religion, ther Festival Arts and the

           Visionary".

          **5. Antonio Benítez Rojo, "La isla que se repite".
         
1. _________________________ 2. ____________________  

    R 22: Caribbean Art, "Revolution, Anti- Imperialism and Race Cosciousness".    

              **6. Mary Chamberlian, "Caribbean Migration".
             1. _______________________ 2. _____________________

 

Week 11:

T 27: Caribbean Art, "Nature in the Caribbean"; "The Self and the Other", "Recent
          Developments".

          **7. Stuart Hall, “Negotiaitn Caribbean Identities”.
        
1. _______________________ 2. ____________________ 

   

R 29: Exhibición de diapositivas.


 
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NOVEMBER

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Week 12:

T 3: Música del Caribe: “Presentación”, “Raíces”, “La música del Caribe...”. Música del Caribe:
       “Los años 40”, “Los años 50”. Música del Caribe: “Los años 60”, “Los años 70”.

        **8. Robin Cohen, “Caribbean Migration”.

      1._____________________ 2. ____________________ 3. _____________________

R 5: REAJUSTE. TBA

 

Week 13:

T 10: Música del Caribe: “Los años 80”, “Los años 90”, “Los instrumentos del Caribe”.
        
**9. Roberto Fernández  Retamar, “Calibán”.
         1. ____________________ 2. _____________________  

R 12: Audiciones musicales.

 

Week 14:

T 17: Audiciones musicales.

R 19: Examen II

 

November 21-29: Fall Recess.

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DECEMBER

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Week 15:

T 1: Reportes orales. 

R 3: Reportes orales. 

 

T 8: Reportes orales. 

R 10: Reportes orales. 

 

December 11: Classes end.

 

December 14: Final Examination Week.

 

December 18, 19: Commencement Ceremonies