CINE-LIT PROJECT
 

    Bibliography



PENINSULAR FILM

A

Aguilar-Jaume Genover, Carlos. El cine español en sus intérpretes. Madrid: Verdoux, 1992.

Albadalejo, Miguel, et al., Los fantasmas del deseo: el cine de Pedro Amodóvar, Madrid, 1988

Alvares, Rosa and Belen Frias. El cine como pasión. Valladolid: Semana Internacional de Cine de Valladolid, 1991

 
Amodóvar, Pedro. Patty Diphusa y otros textos. Barcelona:  Anagrama, 1991
 
Amell, Samuel, ed. Literature, the Arts, and Democracy: Spain in the Eighties. London and Toronto: Associated University Presses, 1990.
 
Aranda, Francisco. Luis Buñuel: A Critical Biography, trans. David Robinson. New York: DaCapo Press, 1976.
 
Arenas, Miguel Angel, Paco Navarro, and Mimmo Catarrenich. "Interview with Pedro Almodóvar." Ronda Iberia (1990): 62-71.
 
Arcona, Rafael. Otra vuelta en El cochecito. Logroño: Biblioteca Riojana, 1991.
 

B


Bartholomew, Gail. The Development of Carlos Saura.” Journal of the University Film and Video Association 35:3 (1983): 15-33.

Bazin, André. El cine de la crueldad de Buñuel a Hitchcock, trans. Béatriz Meunier de Galipienso. Bilbao: Ediciones Mensajero,1977.

 
Brasó, Enrique. Carlos Saura: Introducción incompleta. Madrid: Taller de Ediciones Josefina Betanto, 1974.
 
Bernaola, Carmelo. Evolución de la banda sonora en España. Madrid: Festival de Cine de Alcalá de Henares, 1986.
 
Besas, Peter. Behind the Spanish Lens: Spanish Cinema under Fascism and Democracy. Denver: Arden Press, 1985.E
 
---. “Catalan Filmmaking, an Industry Apart.” Variety (1990): 78.
 
---. “ Global Report: Spain.”  Variety  (1990): 45-80.
 
---. “Olé Showbiz! It’s Boomtime.” Variety (1990): 45.
---. “TV Ad Sales Grow  7-fold in 10 Years.” Variety (1990): 58.
Boquerinni, F. Pedro Almodóvar. Madrid: Ediciones JC, 1989.
Borau, José Luis. El caballero d’Arrast. San Sebastián: Festival Internacional de Cine de San Sebastián, 1990.

---. “A Woman without a Piano, a Book without a Mark.” Quarterly Review of Film and Video 13:4 (1991): 9-16.

---. “Without Weapons.” Quarterly Review of Film Studies 8:2 (1983): 85-90.
 

Buñuel, Luis. El fantasma de la libertad. Barcelona: Aymá, S.A. Editora, 1974.
---. My Last Sigh, trans. Abigail Israel. New York: Vintage Books, 1984.


C

Cabello-Castelet, George; Jaume Martí-Olivella and Guy h. Wood. eds. Cine-Lit: Essays on Hispanic Film and Ficction. Vol. I. Portland, OR: 1990.

---. Cabello-Castelet, George; Jaume Martí-Olivella and Guy h. Wood. eds. Cine-Lit: Essays on Hispanic Film and Ficction. Vol. II. Portland, OR: 1994.

---. Cabello-Castelet, George; Jaume Martí-Olivella and Guy h. Wood. eds. Cine-Lit: Essays on Hispanic Film and Ficction. Vol. III. Portland, OR: 1997.

Caparrós Lera, J. M. El cine español bajo el regimen de Franco (1936-1975). Barcelona: Ediciones de la Universitat de Barcelona, 1983.

---. El cine republicano español 1931-1939.  Barcelona: Dopesa, 1987.

---, and Rafael España. The Spanish Cinema: An Historical Approach. Madrid: Film Historia, 1987. Published in conjunction with the retrospective on Spanish cinema held at the University of  New Mexico, September, 1987.

Castro, Javier. “20 años de mercado cinematográfico español.” Cineinforme, special ed., 494 (Septiembre1986 ): 70-71.

Cine español (1896-1988). Madrid: Ministerio de Cultura, 1989.

Cine español 1988. Madrid: Ministerio de Cultura, 1989.

Cine español 1990. Madrid: Ministerio de Cultura, 1991.

Cobos, Juan. “Spanish Heroism.” Films and Feeling (November 1960): 9, 41.
 

D

Deveny, Thomas G. Cain On Screen, Contemporary Spanish Cinema. Metuchen, NJ and London: The Scarecrow Press, Inc, 1993.

 
Dickinson, Robert. “The Unbereable Weight of Winning: Garci’s Trilogy of Melancholy and Foreign Language Oscar.” Spectator II  2 (1991): 6-15.
 
D’Lugo, Marvin. Carlos Saura: The Practice of Seeing. Princeton: Princeton University Press, 1991.
 
---. “Catalán Cinema: Historical Experience and Cinematic Practice.”  Quarterly Review of Film and Video 13:1-3 (1991): 131-147.
---. “Almodóvar’s City of Desire.” Quarterly Review of Film and Video 13:4 (1991): 47-66.
 
E

Epps, Brad. "Figuring Hysteria: Disorder and Desire in Three Films of Pedro Almodóvar." Post-Franco, Postmodern: The films of Pedro Almodóvar. Westport: Greenwood Press, 1995.

Evans, Peter. "Almodóvar's Matador: Genre, Subjectivity, and Desire." Bulletin of Hispanic Studies 7-3  (1993): 325-335.
 

F

Fiddian, Robin W., and Peter W. Evans. Challenges to Authority : Fiction and Film in Contemporary Spain. London: Tamesis Books, 1988.

Frugone, Carlos. Rafael Azcona: Atrapados por la vida. Villadolid: International Cinema Week at Villadolid, 1987.

 
Fuentes, Víctor. "Almodóvar's Postmodern Cinema: A Work in Progress." Eds. Katheleen Vernon  and Barbara Morris. Post-Franco, Postmodern: The films of Pedro Almodóvar. Westport: Greenwood Press, 1995.
G

Galán, Diego. "1950-1961." Spanish Cinema, 1896-1983. Ed. Augusto M. Torres. Madrid: Ministerio de Cultura, 1986. 146-167.

García de León, María Antonia and Teresa Maldonado, eds. Pedro Almodóvar, la otra España cañí. Ciudad Real: Diputación de Ciudad Real, 1989.

García Escudero, José María. "Pacifism in the Contemporary Cinema." Temas de cine 2 (1960): 24.

Garland, David. "A Ms-take in the making? Transexualism Post-Franco, Post-Modern, Post-Haste." Quarterly Review of Film and Video 13: 4 (1991): 95-102.

Graham, Robert. Spain: A Nation Comming of Age. New York: San Martin's Press, 1984.

Gubern, Román, et al. Historia del cine español. Madrid: Catedra, 1995.

Gubern, Román. "The Civil War: Inquest or Exorcism?" Quarterly Review of Film and Video 13: 4 (1991): 103-112.

---. La imagen pornográfica y otras perversiones ópticas. Madrid: AKAL/Comunicación, 1989.

---. "1936-1939: II Republic."  Spanish Cinema, 1896-1983. Madrid: Ministerio de Cultura, 1986. 32-45.

---. La guerra de España en la pantalla. Madrid: Filmopteca Española Española, 1986.

---. Cine español en el exilio, 1936-1939. Barcelona: Editorial Lumen, 1976.
 

H

---. "Can a Good Feminist Sit Through Kika? Rape, Recovery, and Submission Fantasies in the Films of Pedro Almodóvar." Anuario, vol. III (1997): 73-88.

Heredero, Carlos F. José Luis Borau: Teoría y práctica de un cineasta. Madrid: filmoteca Española, 1990.

Hernández Les, Juan.  El cine de Elílias Querejeta, un productor singular. Bilbao: Ediciones Mensajero, 1986.

Hidalgo, Manuel. Carlos Saura. Madrid: Ediciones J.C., 1981.

 
Higgingbothan, Virginia. Spanish Film under Franco. Austin: University of Texas Press,1988.
 
Hivnor, Mary. "The Baroque Equation in Spanish Cinema." Partisan Review 17: 4 (1990): 616-620.
 
Hopewell, John.  Out of the Past: Spanish Cinema After Franco. London: British Film Institute, 1986.

---. "Art and Lack of Money: The Crises of Spanish Film Industry, 1977-1990." Quarterly Review of Film and Video 13: 4 (1991): 113-122.
 

K

Kinder, Marsha. ed. Refiguring Spain, Cinema/Media/Representation. Durham: Duke University press, 1997.

Kinder, Marsha. Blood Cinema, Reconstruction of National Identity in Spain. Berckley: University of California Press, 1993.

---. Spanish Cinema: The Politics of  Family and Gender. Los Angeles: The Spanish Ministry of Culture and the USC School of Cinema-Television, 1989. (A catalogue for a film series that was organizaed by Katherine Singer and Marsha Kinder.)

---. "The Children of Franco in the New Spanish Cinema" Quarterly Review of Film  Studies 8:2 (1983):57-76.

Kovács, Katherine. The Plain in Spain: geography and National Identity in Spanish Cinema." Quarterly Review of Film and Video 13:4 (1991): 17-46.

---. ed. Special Issue, "The New Spanish Cinema" Quarterly Review of Film  Studies 8:2 (1983).
 

L

Lara, Antonio. "Diez años de cine español." Revista Occidente 122-123 (julio-agosto): 211-229.

Larraz, Emmanuel. El cine español. Paris: Masson st Cie, 1973.

Llorens, Antonio. El cine negro español. Valladolid: Semana de cine de valladolid, 1988.

López Echavarrieta, Alberto. Cine vasco: De ayer a hoy. Bilbao: Mensajero, 1984.
 
 

M

Martin-Márquez, Susan. "Ecofeminism, Strategic Essentialism and the Abject in Lamitad del cielo." In Cine-Lit. Eds. Cabello-Castelet, George, Jaume Martí-Olivella and Guy Woods. Portland, OR, 1997. 7-13.

Martin, Annabel. "Almodóvar se tiñe de rosa: reinscripciones melodramáticas del conocimiento y del sentir." Eds. Cabello-Castelet, George, Jaume Martí-Olivella and Guy Woods. Portland, OR, 1997. 14-22.

Martí-Olivella, Jaume. "(M)otherly Monsters: Old Mysogeny and/in New Basque Cinema." Anuario, vol. III (1997): 101.

Marvin, Garry. Bullfight. Oxford: Basil Blackwell, 1988.

Membres, Nancy J. "Apostillas a El espíritu de la colmena, de Victor Erice." Cine-Lit III. Eds. Cabello-Castelet, George, Jaume Martí-Olivella and Guy Woods. Portland, OR, 1997. 113-125.

Miró, Pilar. "Ten Years of Spanish Cinema." Literature, the Arts, and Democracy: Spain in the Eighties. Ed. Samuel Amell, trans. Alma Amell. Rutherford: Fairleigh Dickson University Press, 1990. 38-46.

Molina-Foix, Vicente. New Cinema in Spain. London: British Film Institute, 1977.
 

O

Olalquiaga, Celeste. Megalopolis. Minneapolis: University of Minnesota Press, 1992.

P

Pérez, Gilberto. The Material Ghosts: Films and their Medium. Baltimore: Johns Hopkins  University Press, 1998.

Pozo, Santiago. La industria del cine en España. Barcelona: Publicacions i Edicions de la Universitat de Barcelona.

S

Sanchéz Vidal, Agustín. El cine de Segundo de Chomón. Zaragoza: Caja de Ahorros de la Inmaculada, 1992.

---. Borau. Zaragoza: Caja de Ahorros de la Inmaculada, 1990.

---. El cine de Carlos Saura. Zaragoza: Caja de Ahorros de la Inmaculada, 1988.

---. Lorca, Buñuel y Dali: El enigma sin fin. Barcelona: Editorial Planeta, 1988.

Sandro, Paul. Diversions of Pleasure: Luis Buñuel and the Crisis of Desire. Coumbus: The Ohio State University Press, 1987.

Santos Fontela, César. "1962-1967." Spanish Cinema, 1896-1983. Madrid: Ministerio de Cultura, (1986): 172-199.

Sanz de Soto, Emilio. "1940-1950. Spanish Cinema, 1896-1983. Madrid: Ministerio de Cultura, (1986):102-141.

Schwartz, Ronald. The Great Spanish Films: 1950-1990. Meutchen, NJ: Scarecrow Press, 1991.

---. Spanish Film Directors, 1950-1985: 21 Profiles. Meutchen, NJ: Scarecrow Press, 1986.

Smith, Paul Julian. Vision Machines, Cinema, Literature and sexuality in Spain and Cuba, 1983-1993. London: Verso, 1996.

---. Desire Unlimited: The Cinema of Pedro Almodóvar. London: Verso, 1994.

---. Laws of Desire: Questions of Homosexuality in Spanish Writing and Film 1960-1990. Oxford: Clarendon Press, 1992.

Strauss, Frédéric. Pedro Almodóvar: Un  cine visceral. Madrid: Ediciones El País, 1994.
 

T

Torres, Augusto M. "1896-1929." Spanish Cinema, 1896-1983. Ed. Augusto M. Torres. Madrid: Ministerio de Cultura, 1986. 16-27.

Tubau, Iván. Crítica cinematográfica española: bazin contra Aristarco, la gran controversia de los años sesenta. Barcelona: Publications Edicions Universitat de barcelona, 1983.
 

U

Unsain, José María. El cine y los vascos. San Sebastián: Filmoteca vasca, 1985.
 

V

Verdere, Alejandro. Severo Sarduy y Pedro Almodóvar: del barroco al kitch en la narratina y el cine posmodernos. Madrid: Pliegos, 1996.

Vernon, Katheleen. "The Trauma of History/The History of Trauma: Pllotting Memory in Jorge Semprúm." Cine-Lit III. Eds. Cabello-Castelet, George, Jaume Martí-Olivella and Guy Woods. Portland, OR, 1997. 157-167.

---. "Re-viewing the Spanish Civil War: Franco's Film Raza." Film and History 16 (1986): 26-34.

 
Vernon, Katheleen and Barbara Morris, eds. Post-Franco, Postmodern: The films of Pedro Almodóvar. Westport: Greenwood Press, 1995.

Vidal, Nuria. The Films of Pedro Amodóvar. Madrid: Ministerio de Cultura, 1988.

 
Vilarós, Teresa. El mono del desencanto: Una crítica cultural de la transición española (1973-1993). Madrid: Siglo XXI, 1998.
 


W

Wood, Guy H. "La parodia cinegética de Berlanga: La santa escopeta y la recreación nacional." In Cine-Lit III. Eds. Cabello-Castelet, George, Jaume Martí-Olivella and Guy Woods. Portland, OR, 1997. 144-156.

Wood, Guy H. and Julie H. Croy. "Una entrevista con Juan Carlos Desanzo." In Cine-Lit III. Eds. Cabello-Castelet, George, Jaume Martí-Olivella and Guy Woods. Portland, OR, 1997. 200-207.

Woods, Eva. "Performance in Theory and Practice: The folklórica  as the Internal Other In María de  la O and Morena Clara." Cine-Lit III. Eds. Cabello-Castelet, George, Jaume Martí-Olivella and Guy Woods. Portland, OR, 1997. 48-60.
 

Z

Zatlin, Phylis. "Josefina Molina's Esquilache: Filmic Transformation of Theatre." Anuario, vol. III (1997): 173-179.
 
 

LATIN AMERICAN FILM

 
A
 
Alás-Brun, M. Montserrat. "En blanco y negro: El cine en El beso de la mujer araña." Anuario de cine y literatura en español, vol. III. ed. Antonio Román. University of Villanova (1997): 3-14.
 
Andrade, Joaquim Pedro. “Canibalism and Sef-Cannibalism.” Eds. Randal Johnson and Stam. Brazilian Cinema. Austin: Universit of Texas Press, 1982. 82-83.
 
Aufderheide, Patricia. “Latin American Cinema and the Rhetoric of Cultural Nationalism: Controversies at Habana in 1987 and 1989.” Quarterly Review of Film Studies 12. 4 (1991) : 61-76.


Babenco, Héctor. Inter. George Csicsery. Individual Solutions: An Interview with Héctor Babenco." Film Quaterly 36:1 (1982): 2-17.

Borges, Luiz Carlos R. 1960-1980: O cinema a margem. Campinas: Papirus, 1984.

Burton, Julianne, ed. The Social Documentary in Latin America. Pittsburgh: University of Pittsburggh Press, 1990.

---. Cinema and Social Change in Latin America : Conversations with Filmmakers. Austin: University of Texas Press, 1986.
 

C

Cândido, Antônio, Celso Furtado, Fernando Henrique Cardoso, Eds., Glauber Rocha São Paulo: Paz e Terra, 1977.

Chanan, Michael. The Cuban Image: Cinema and Cultural Politics in Cuba. Bloomington: Indiana University Press, 1985.

Colmeiro, José F. " 'Pr'a Habana me vou' :Identidad, tropicalización y nomadismo cultural en Gallego." In Cine-Lit III, (1997): 168-183.

Coutinho, Eduardo. “Cine y reflexión.” Hojas de cine,  Vol. I,  (1967): 157-158.
 

D

Diegues, Carlos. “Cine: arte del presente.” Hojas de cine. Vol. I, (1967): 155-156.

---. “Sobre el Cinema Novo.” Hojas de cine. Vol. I, (1970): 163-164.

---. “Por un cine democrático.” Hojas de cine. Vol. I, (1984): 207-214.

Dever, Susan. "Re-Birth of a Nation: On Mexican Movies, Museums, and María Felix." Spectator (1992): 52-69.
 

F

Fisher, William. "Brazil: Film Finance in the Age of Hyperinflation." Sight and Sound 59:2 (1990): 101-04.

Foster, David William. Contemporary Argentine Cinema. Missouri: Universsity of Missoury Press, 1992.

Fusco, Coco. "Choosing between Legend and History: An Interview with Carlos Diegues." Cineaste 15:1 (1986): 12-14.

---. ed. Reviewing Histories: Selections  from New Latin American Cinema. Buffalo, NY: Hallwalls, 1987.
 

G

Galindo, Alejandro. El cine mexicano: Un personal punto de vista. Mexico: EDAMEX, 1992.

García Espinosa, Julio. “Por un cine imperfecto.” In Hojas de cine testimonios y documentos del Nuevo Cine Latinoamericano. 3 vols. Secretaría de Educación Pública, Universidad Autónoma Metropolitana, Fundación Mexicana de Cineastas. México, D. F. , 1988. Vol.III, 63-78.

---.. “En busca de un cine perdido.” Hojas de cine. Vol. III, 85-88.

---. “Instrucciones para hacer un filme en un país subdesarrollado.” Hojas de cine. Vol. III, 101-130.

---. Ya no partimos de cero.” Hojas de cine. Vol. III, 175-182.

García Riera, Emilio. Historia del cine mexicano, 1926-1966. 9 vols. Mexico City: Ediciones SEP, 1986.

Getino, Octavio. Cine latinoamericano: economía y nuevas tecnologías audiovisuales. Buenos Aires: Editorial Legasa, 1988.

---. Notas sobre cine argentino y latinoamericano. Mexico: Edimedios, 1984.

Guerra, Ruy. “Cine e imaginación poética”. Hojas de cine. Vol. I, 203-204.

Guevara, Alfredo. Historia de nuestras cinematografías y del movimiento que las articula.” Hojas de cine. Vol.III, 167-174.

Gumucio Dagron, Alfonso. Cine, censura y exilio en América Latina. La Paz: CIMCA, 1984.

Gutiérrez Alea. The Viewer’s Dialectic. Trans. Julia Lesage. Havana: José Martí Publishing House, 1988.
 

H

Hershfield, Joanne. Mexican Cinema/Mexican Woman 1940-1995. Tucson: Iniversity of Arizona Press, 1996.

---. "Assimilation and Identification in Nicholas Echeverria's Cabeza de Vaca." Wide Angle 16:3 (1995): 6-24.

---. "The Construction of Woman in Distinto Amanecer."  Spectator 13:1 (1992): 42-51.

Hirszman, León. “Cine nacional y popular.” Hojas de cine. Vol. I, (1981): 205-206.

Huaco-Nuzum, Carmen. "Ni de aquí, ni de allá: Indigenous Female Representation in the Films of María Elena Velasco." Chicanos and Film: Representation and Resistance, ed. Chon Noriega, 1992..

---. "Matilde Landeta: An Introduction to the Work of a Pioneer Mexican "Film-Maker." Screen 28:4 (1987): 96-105.
 

I

Iglesias, Norma. Entre Yerba, Polvo y Plomo: Lo fronterizo visto por el cine mexicano. Vols. I, II Tijuana: El Colegio de la Frontera Norte, 1991.
 

J

Jackson, Richard L. The Black Image in Latin American Literature. Albuquerque: University of New Mexico Press, 1976.

Jenckes, Katherine. "Indentity, Image and Sound in Three Films by María Luisa Bemberg." In Cine-Lit III.  Eds. Cabello-Castelet, George,  Jaume Martí-Olivella and Guy h. Wood. Portland, OR: 1997. 61-67.

Jiménez, Lillian. "From the Margin to the Center: Puerto Rican Cinema in the United States."  El Centro (1990): 28-43.

 
Johnson, Randal. Cinema Novo x 5. Austin: University of Texas Press, 1984.
 
---. “Brazilian Cinema Novo.” Bulletin of Latin American Research 3.2 (1984) 95-106.
 
---. The Film Industry in Brazil: Culture and the State. Pittsburg: University of Pittsburgh Press, 1987.
 
---. “ The Nova República and the Crisis in Brazilian Cinema.” LatinAmerican Research Review 24:1 (1989).
 
---, and Robert Stam. eds. Brazilian Cinema. New Jersey: Associated University Press, 1982.

K

King, John. Magical Reels: A History of Cinema in Latin America. London: Verso, 1990.

King, John, López and Alvarado. eds. Mediating Two Worlds. London: British Film Institute, 1993.

Kotz, Liz. "Unofficial Stories: Documentaries by Latinas and Latin American Women." El Centro
(1990): 58-69.

Lima Jr., Walter. "Cabra marcado para morrer: O cinema 'Cumplice da vida' de Eduardo Coutinho." Filme Cultura 44 (1984).

López, Ana. “Parody, Underdeveloment, and the New Latin American Cinema.” Quarterly Review of Film Studies 12.1-2 (1990): 63.

López Oliva, Manuel. “Cecilia , un filme eminentemente plástico.” Cine Cubano 103.(1982): 123-132.
 

M

Martin, Michael T. ed. New Latin American Cinema. vols.  I, II. Detroit: Wayne State University Press, 1997.

Mora, Carl. The Mexican Cinema: Reflections of a Society, 1896-1980. Berkeley: University of California Press, 1982.
 

N

Neves, David. “In Search of the Aesthetics of the Brazilian Cinema.” New Orleans Review 9:3 (1982) : 36-68.

Noriega, Chon. Chicanos and Film: Representation and Resistance. Minneapolis: University of Minnesota Press, 1992.
 

P

Paranaguá, Paulo Antonio. O cinema na América Latina: Longe de Deus e perto de Hollywood. Porto Alegre: L&PM Editores Ltda,1984.

Pereira, Manuel. “Mito y misterio de Cecilia.” Cine Cubano 102  (1982): 96-109.

Pick, Suzana N. The New Latin American Cinema: A Critical Project. Austin: University of Texas Press,1993.

Pineda Novo, Daniel. Los folklóricos y el cine. Huelva: Festival de cine Iberoamericano, 1991.
 

Q

Quiroga, Orlando. “Cecilia Valdés cumple 100 años.” Opina 19 (1981): 24-25.

 

R

Ramirez Berg, Charles. "The Image of Women in Recent Mexican Cinema." Journal of Latin American Popular Culture 8  (1989): 157-181.

Rêgo, Cacilda M. “Cinema Novo and the Question of the Popular.” Studies in Latin American Popular Culture 10 (1991): 59-73.

Rocha, Glauber. O século do cinema. Rio de Janeiro: Editorial Alhambra,1983.

---.  “An Esthetic of Hunger.”  Brazilian Cinema. Eds. Randal Johnson and Stam. Austin: University of Texas Press, 1982. 68-71.

---. "History of Cinema Novo." Framework 12 (1979):19-27.

---. Revolução do Cinema Novo. Rio de Janeiro: Alhambra/ Embrafilme, 1981.

Rodríguez, Raúl. El cine silente en Cuba. La Habana: Editorial Letras Cubanas,1992.

Román-Odio, Clara. "From Writer to Producer: Conflicting voices in Like Water for Chocolate." In Cine-Lit III. Eds. Cabello-Castelet, George; Jaume Martí-Olivella and Guy h. Wood. Portland, OR: 1997. 84-89.

Rowe, William and Vivian Schelling. Memory and Modernity: Popular Culture in Latin America. London: Verso, 1991.

Rozado, Alejandro. Cine y realidad social en México: Una lectura de la obra de Emilio Fernández. Guadalajara: Universidad de Guadalajara, 1991.
 

S

Sanjinés, Jorge, and the Ukamau Group. Theory and Practice of a Cinema with the people. Willimantic, Ct: Cubstone Press, 1989.

---. "We Invent a new Language Through Popular Culture." Framework 110 (1979): 31-33.

Schnitman, Jorge A. Film Industries in Latin America:Dependency and Development. Norwood, New Jersey: ABLEX Publishing Corporation,1984.

Schuman, Peter B. Historia del cine latinoamericano. Buenos Aires: Editorial Legasa, 1987.

Shohat, Ella and Robert Stam. Unthinking Eurocentrism: Towards a Multi-cultural Film Critique. London & New York: Routledge, 1996.

---. ed. The Future of an Illusion: Film, Feminism, and Psychoanalisis. Minneapolis: University of Minnesota Press, 1989.

Stam, Robert. “Slow Fade to Afro: The Black Presence in Brazilian Cinema.” Quarterly Review of Film Studies 36:2 (1982-3): 16-32.

--- . “Samba, Candomblé, Quilombo: Black Performance and Brazilian Cinema.”The Journal of Ethinic Studies 13:3 (1985): 55-84.

--- , and Ismail Xavier.”Recent Brazilian Cinema: Allegory/Metacinema/Carnival.” Film Quaterly 41:3 (1988).

---. Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture. Durham: Duke University Press, 1997.

Solanas, Fernando E. Cine, cultura y descolonización. México: Siglo Veintiuno, 1979.

Solás, Humberto. “Alrededor de una dramaturgia cinematográfica latinoamericana.” Hojas de cine,  Vol. II, 211-118.

---. “Cecilia Valdés o la búsqueda de lo nacional.” Inter. Gerardo Chijona. Cine Cubano. 102 (1982): 111-124.

Stevens, Donald F. ed. Based on a True Story, Latin American History at the Movies. Wilmington: SR Books, 1997.
 

T

Toledo, Teresa. 10 años del nuevo cine latinoamericano. La Habana: Cinemateca de Cuba, 1990.
 

V

Valerio-Holguín, Fernando. "Virgilio Piñera : el precursor velado de Fresa y chocolate." Cine-Lit III: Essays on Hispanic Film and Ficction. Eds. Cabello-Castelet, George; Jaume Martí-Olivella and Guy h. Wood. Portland, OR, 1997. 23-29.
 

Velleggia, Susana. Cine: entre espectáculo y la realidad. México: Claves Latinoamericanas,1986.
 
Vázquez, Blanca. "Puerto Ricans and the Media: A Personal Statement." El Centro (1990): 4-15.
 


W
 

Ware,Vron. Beyond the Pale: White Women, Racism, and History. London: Verso, 1990.
 
West, Dennis. "Una conversación con Sergio Cabreara." Cine-Lit III: Essays on Hispanic Film and Ficction. Eds. Cabello-Castelet, George; Jaume Martí-Olivella and Guy h. Wood. Portland, OR, 1997. 184-207.
 
 ---. "Satrawberry and Chocolate,  Ice Cream and Tolerance: An Interview with Gutierres Alea and Juan Carlos Tabío." Cineaste 21:1-2 (1995): 16-20.
 
---. "Reconciling Entertainment and Thought: An Interview with Julio García Espinosa. Cineaste 16:1-2 (1987/88): (1993).
 
---. "Slavery and Cinema in Cuba: The Case of Gutiérres Alea's."  The Western Journal of Black Studies 3:2 (1979): 128-33.
 
West, Dennis, and Joan M. West. "Alice in a Cuban Wonderland: An Interview with Daniel Diaz Torres." Cineaste 20:1 (1993):24-27.

X

Xavier, Ismail. Sertão Mar: Glauber Rocha e a Estética da Fome. São Paulo: Editora Brasiliense S. A., 1983.

--- . Alegorias do subdesenvolvimento. São Paulo: editora brasiliense, 1993.
 

Z

Zamudio-Taylor, Victor, and Inma Guiu. "Crisis-Crossing Texts: Reading Images in Like Water for Chocolate." The Mexican Cinema Project. Eds. Chon A. Noriega and Steven Ricci,  Los Angeles: UCLA Film and television Archive, Research and Study Center. 45-51.
 

THEORY

A

Anderson, Benedict. Imagined Communities: Reflections on the Origin and the Spread of Nationalism. London: Verso, 1991.

Armes, Roy. Third World Filmaking and the West. Berkeley, Los Angeles, London: University of California Press, 1987.

 
B

Bakhtin, Mikhail. The Dialogic Imagination. Austin: University of Texas Press, 1981.

 
Barthes, Roland. Image- Music- Text. trans. Stephen Heath. New york: The Noonday Press, 1988.
 
Bartky, Sandra Lee. Femininity and Domination. New York: Routledge, 1990.
 
Benítez-Rojo, Antonio. The Repeating Island: The Caribbean and the Postmodern Perspective. Trans. James Maraniss. Durham and London: Duke University Press, 1992.
 
Bhabha, Homi. The Location of Culture. London: Routledge, 1994.
 
---. Nation and Narration. London: Routledge, 1990.
 
Bondadella, Peter. Italian Cinema:  >From Neorealism to the Present. New York: Ungar, 1983.
 
Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess. New Haven: Yale University Press, 1976.
 
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
 
Buscombe, ed. “Film History and the Idea of a National Cinema.” Australian Journal of Screen Theory 9-10 (1981): 141-153.

C

Calendoli, Giovanni. “Neorealism:1955.” Objetivo 9 (1955): 18-25.

 
Certeau, Michel de. The Practice of Everyday Life. Berkeley: University of California Press, 1981.
 
---. Hetereologies: Discourse on the Other. Minneapolis: University of Minnessota Press, 1986.
 
Chatman, Seymor. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell U. Press, 1986.
 
---. Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca: Cornell U. Press, 1990.
 
Chatterjee, Partha. Nationalist Thought and the Colonial World: A Derivative Discourse?. London: The Bath Press, Avon., 1986.
 
Cook, David. A History of Narrative Film. New York and London: W. W. Norton, 1981; 2d ed., 1990.

Deleuze, Gilles. Masochism: An Interpretation of Coldness and Cruelty, trans. Jean McNeil. New York:George Brazillier, 1971.

Baudry. Film Theory and Criticism. New York: Oxford University Press, 1992.
 

E

Eagleton, Terry. Ideology: An Introduction. London: Verso, 1991.

 ---. Walter Benjamin: Towards a Revolutionary Criticism. London: Verso, 1981.
 

F

Fabian, Johanes. Time and the Other. New York: Columbia U Press, 1983.

Fanon, Franz. Black Skin, White Masks. New York: Grove Press, Inc. 1967.

---. The Wretched of the Earth. Trans. Constance Farrington. New York: Grove Press, Inc., 1968.

Freire, Paulo. Pedagogy of the Oppressed. Trans. Mayra Bergman Ramos. New York: Continuum, 1989.

Feuer, Jane. The Hollywood Musical. Bloomington: Indiana University Press, 1982.
 

G
 

Gabriel, Teshome H. Third Cinema in the Third World: The Aesthetics of Liberation. An Arbor: UMI Research Press, 1982.
 
---. ed. Questions of Third Cinema. London: British Film Institute,1989.
 
García Canclini, Néstor. Transforming Modernity: Popular Culture in Mexico. tras. Lidia Lozano. Austin: University of Texas Press. 1993.
 
Gramsci, Antonio. Selections From the Prison Notebooks of Antonio Gramsci. Ed. Quintin Hoare. New York: International Publishers, 1989.
 
Grindon, Leger. Shadows of the Past: Studies in the Historical Fiction Film.Philadelphia: Temple University Press, 1994.
 
Grossberg, Lawrence, ed. Cultural Studies. New York: Routledge, 1992.

Guha, Ranajit and Spivak, eds. Subaltern Studies. Oxford: Oxford University Press, 1988.
 

H

Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. Chicago: The University of Chicago Press, 1987.

Kaplan, E. Ann. Looking for the Other. Feminism, Film, and the Imperial Gaze. New York: Routledge, 1997.

--- . Women & Film : Both Sides of the Camera. London and New York: Routledge, 1983.
 

hooks, bell. Black Looks: Race and Representation. Boston: South End Press,1992.

---. Yearning: Race, Gender, and Cultural Politics. Boston: South End Press, 1990.

Kuhn, A. The Power of Image: Essay on Representation and Sexuality. London: Routledge, 1985.

Kuhn, A. and Radstone, S. Women in Film: an International Guide. New York: Fawcett Columbine, 1990.
 

L

Laclau, Ernesto, Chantal Mouffe. Hegemony and Socialist Strategy. Towards a Radical Democratic Politics. London: Verso, 1985.

Lauretis, Teresa de. Alice Doesn’t : Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1984.

---. ed. Feminist Studies/Critical Studies. Bloomington: Indiana U. Press, 1986.

Mayne, Judith. The Woman in the Keyhole: Feminism and Women’s Cinema. Bloomington: Indiana University Press, 1990.

---. Cinema and Spectatorship. London and New York: Routledge, 1993.

Metz, Christian. The Imaginary Signifier: Psychoanalisis and the Cinema. trans. Celia Britton. Bloomington: Indiana University Press, 1975.

Mulvey, Laura. Feminism and Film Theory. New York: Routledge, 1988.

---. ed. Feminism and Film Theory. New York and London: Routledge and BFI Publishing,1988.

---. Visual Pleasure and Other Pleasures. Bloomington: Indiana University Press,1989.

Nelson, Cary. and Lawrence Grossberg. eds. Marxism and the Interpretation of Culture. Urbana: University of Illinois Press, 1988.
 

O

O’Connor, Allan. “The Problem of Latin American Cultural Studies. Critical Studies in Mass Communication 6.4 (1989): 405-413.
 

P

Penley, Constance.“Lost Objects and Mistaken Subjects: Film Theory’s Structuring Lack.” Wide Angle. 7. 1-2 (1985) : 25-43.
 

S

Schwarz, Roberto. Misplaced Ideas: Essays on Brazilian Culture. London: Verso, 1992.

Silverman, Khaja. The Acoustic Mirror: The Female Voice in Psychoanalisis and Cinema. Bloomington: Indiana University Press, 1988.

---. The Subject of Semiotics. New York: Oxford University Press, 1983.

Sklar, Robert and Musser. eds. Resisting Images: Essays on Cinema and History. Philadelphia: Temple University Press, 1990.

Smith, Paul. Discerning the Subject. Menneapolis: University of Minnesota Press, 1988.

Spivak, Gayatri.Other Worlds: Essays in CulturalPolitics. New York: Methethuen, 1987.

---. The Post-Colonial Critic: Interviews, Stratagies, Dialogues. London: Routledge, 1990.

Sorlin, Pierre. The Film in History: Restaging the Past. Totowa, NJ: Barnes and Noble, 1980.

 
Stallybrass, Peter and White. The Politics and Poetics of Transgression. London: Methuen. 1986.
 
Stam, Robert,  Borber Burgoyone and Sandy Flitterman-Lewis. New Vocabularies in Film
Semiotics, Structuralism, Poststructuralism and Beyound. New York: Routledge, 1992.

W

Williams, Raymond. Culture. London: Fontana, 1989.
 
 

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